An edit, not a render.
Film it, generate it, or mix the two. Whatever you ask for arrives as clips, controls and keyframes you can still change.
In an editor window, a generated shot lands on the timeline beside your footage, a request to cut the pauses and fade in a soft glow is typed, the pauses close up, and the glow arrives with its sliders and keyframes.
Made for
- macOS
- Windows
- Linux
Familiar on the surface. New underneath.
Cut, trim and grade the way you always have. Ask for twenty cuts and they land in moments, each exactly where you meant it, all undone in one step.
A clip trimmed by hand on the timeline, then twenty pauses in an interview cut at once on request, then all twenty undone in one step.
AI on your terms.
Run a model on your computer, and nothing leaves it. Or use your own key with the provider you choose. Each generation is priced before it runs, at their rate, with no markup.
One request run two ways. With local AI, the shot stays on this computer. With cloud AI, on your own key, the price shows before it’s sent, and only the shot’s depth, its pose and the prompt go.
Skills you didn’t have to learn.
What took a specialist starts as a sentence. Describe a film look, a transition or a grade to match a still, and it lands as an effect with its own sliders. Each one is checked before it reaches your timeline, and one undo takes it back.
- A film look asked for in a sentence, landing as an effect with grain, halation and weave sliders, the halation then turned up
- A light leak asked for in a sentence, placed at the cut between two shots with its own sliders, its spread then widened
- A grade matched to a reference still, wiping across the shot, its strength then eased back
A gap between two filmed shots, then a shot described for it, made to the gap’s length and placed in it, its prompt kept on the clip
Techniques,
not presets.
Templates are the techniques behind the edits people share. Restyle a shot along its depth, put a new world behind the person you filmed, or have a character move the way you did. Apply one, then change any step.
Step 1. Choose a shot.
Any clip on your timeline, filmed or generated.
Step 2. Compiler maps its depth.
Measured on your computer, frame by frame. Near is light, far is dark.
Step 3. Describe the new look.
It follows the depth, so every shape stays where you filmed it. Each step keeps settings you can change.